A dead artist, a lost bag of cash—welcome to Bushwick.

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“Hypnotic . . . unearths not just the gritty mechanics of organized crime but the collateral damage it inflicts on perpetrators and victims alike, damage that outlasts the acts for as long as a lifetime . . . Selfon elegantly and eloquently unspools the entire chain of cause and effect . . . Selfon’s ability to give each character his or her own perspective, desires and demons makes The Nightworkers a resonant work of fiction, one that rises above its crimes to tell bigger truths about family, love and hope.”

―Paula L. Woods, Los Angeles Times

 

“A dark slice of Brooklyn noir with a family drama at its core . . . Selfon understands that criminals are frequently good people forced to do bad things to survive — and that's more important than his knowledge of the crimes themselves. While it might not lead to empathy, Selfon's understanding of how psychogeography shapes criminals is what drives the development of those characters — and the characters are what turn The Nightworkers into a great novel . . . This is a thriller about missing money — those that lost it and those that come looking for it, but it's also a novel about family, loyalty and the effects of addiction and poverty – and the arrival of a promising voice.”

―Gabino Iglesias, NPR.org

 

“Consider this a working-class version of one little pocket of The Godfather . . . Like the strongest authors in this genre, Selfon bares the effects of death on each of us. His dialogue is compelling, his plot actions and his images of Brooklyn’s underworld unforgettable . . . A few chapters in, there’s no chance of putting down this book until the highly satisfying yet unexpected finale.”

―Beth Kanell, New York Journal of Books

 

“Selfon’s experiences as an investigative analyst for the Brooklyn District Attorney’s office bring a realistic element to [The Nightworkers], weaving truth and fantasy seamlessly to create an exciting look into the city’s seedy, treacherous back alley world of drugs, money laundering, and murder.”

―Carmen Clark, Library Journal

 

“Electric, surprising, and tightly plotted, The Nightworkers establishes Selfon as a compelling writer to watch.”

―Adrienne Westenfeld, Esquire (20 Best Books of Fall 2020)

 

“Absolutely brilliant . . . Each character is complex and beautifully drawn, and the ending was genuinely surprising. There’s art, theft, tight family bonds, and intricate plotting―it’s really got everything.”

―Molly Odintz, CrimeReads (Most Anticipated Books of 2020)

 

“Brian Selfon steps firmly into the new genre known as Brooklyn Noir and the result is a twisty crime thriller that will hit home . . . Fans of the crime thriller genre will particularly enjoy the time Selfon has taken to focus on what he knows while creating very believable characters that you will instantly care about.”

―Ray Palen, Criminal Element

 

“Selfon clearly knows his way around a criminal conspiracy.”

―Andrew Ervin, The New York Times Book Review

 

“One of the best novels of the year thus far . . . Remarkable from beginning to end.”

―Joe Haurtlaub, Bookreporter

 

“This debut is artful in many ways―the suspense, the characters, the sense of place. Remarkably accomplished and fun, too.”

―Melanie Fleishman, Center for Fiction Newsletter

 

“Selfon’s ambitious, character-driven debut tells the interconnected stories of 'a perfectly wonderful, perfectly Brooklyn family of misfits' . . . These characters, along with a host of minor ones, their marginalized underworld, and the intricacies of money laundering are credibly rendered . . . Selfon fully fleshes out the major characters’ backstories, dreams, and disappointments, and even the minor characters get their moment in the sun. Superior prose is a plus. Fans of literary crime fiction will be enthralled.”

―Publishers Weekly (starred review)

 

“A seasoned legal investigator, Selfon has firsthand knowledge of laundering schemes and the people who devise them. More importantly, he is attuned to questions of identity and belonging . . . the poetry-loving, sharply reflective Kerasha alone makes [The Nightworkers] worth reading. She deserves a sequel all her own.

A sharp, surprisingly affecting debut.”

―Kirkus Reviews

 

“A gripping, big-hearted thriller about a family of criminals coming apart at the seams. Whip-smart and surprisingly funny, The Nightworkers is a terrific debut about loyalty and the ties that bind.”

―Harlan Coben, author of The Boy from the Woods

 

“Page-turning Brooklyn noir meets compellingly complex family drama in Brian Selfon’s atmospheric, edgy, and thoroughly modern The Nightworkers. You’ll enjoy every unexpected page.”

―Kimberly McCreight, author of Reconstructing Amelia and A Good Marriage

 

“The Nightworkers grabbed me from page one, and led me breathlessly through what I think might be one of the best Brooklyn-set novels I've ever read―because it understands how the people and the place are inextricably linked. An absolutely stunning debut.”

―Rob Hart, author of The Warehouse and the Ash McKenna series

 

“You’ll love the twists and turns this journey takes.”

―Rebecca Alwine, Military.com

 

“The Nightworkers is a propulsive thriller that takes you by the throat and doesn’t let go until the last page. Brian Selfon’s riveting story of a Brooklyn money-laundering family navigating the gruesome murder of one of their own shimmers with razor-sharp dialogue and nonstop suspense. Electric and gritty, this stunning debut is not to be missed.”

―E. G. Scott, author of In Case of Emergency

 

“A highly intricate and complex tale of drugs and dirty money . . . I can’t help but get Ozark vibes from this book.”

―Michael J. Seidlinger, Murder and Mayhem

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“The murder of a promising young painter lights the fuse for Brian Selfon’s deep dive into the wicked stain left by addiction, crime as just another business, and the way families can fall apart and then be partially patched back together in the most heartbreaking of ways.”
—Jenny Milchman, USA Today-bestselling author of Cover of Snow and The Second Mother